I just realized “I’ve survived the Mike Costa Transformers comic, I can survive whatever 2018 Marvel Venom dish out. It won’t be worse then that.” Must be a very confusing statement to comic Venom fans lol
LMFAO earlier today I was JUST thinking about what a bizarro plot twist this is, as a person in both of these fandoms?
2009: Mike Costa writes some of the actual worst comics in human history, so bad that their notoriety spread beyond the Transformers fandom. Mike Costa claims that the Transformers aren’t real people with real emotions, and can’t have relationships because there aren’t any girls.
2012: James Roberts swoops in with More Than Meets The Eye, decides that all the Transformers are actually gay and live in a homonormative society, and gives us a buffet of canon queer relationships.
(We cross over to a parallel universe or alternate timeline, probably)
2016: Mike Costa writes Venom and gives us a tender, domestic, and fully queer story about a man and alien being struggling to overcome their checkered histories to be better for themselves and each other. Eddie and Venom both make a real effort to improve the communication and trust in their relationship, grow together as people, and have a child that Venom wants to raise in Eddie’s image.
2018: Don Cates writes Venom and begins the process of aggressively no-homo’ing Costa’s run by looping us back to the 2000s and making sure to loudly proclaim how terrible Eddie and Venom are and always have been for each other, how they don’t even like each other actually, and how their whole relationship is in fact nothing more than a toxic metaphor for Angst and Darkness!!11!1
HAHAHHAHA THANK YOU FOR WRITING THE HISTORY OUT
Mike “Transformers can’t love because they have no females” Costa
?
?? Alien abduction?? Some sort of Enlightment?? Mirror Verse Crossover??
?
Mike “Symbiote and Eddie Brock are in love this is a love story” Costa
It has just come to my attention that Mike Costa teamed up with James Roberts to write the transformers “Chaos” storyline, which was pretty good from what i‘ve heared
And after that his attitude towards transformers fiction seemed to have changed…
To put it simly: i think James Roberts is indirectly responsible for making Venom gay
Hold on. What of the Mike Costa tf run is legendary bad? Obv the whole they’re not people thing is fucking bullshit, but that also seems contrary to what he wrote (unless there was a ghost writer)?
Oh my, where do I start.
Mike Costa missed everything important about Transformers.
His run started with the last story arc All Hai Megatron. The story ended with the Decepticons defeated and stranded on Earth. It is a mess itself (AHM has mixed review at best) but at least it leave an empty slate, so it’s not a Hot Mess.
But Costa chose to let the human be the focus of his story. The human main being a Dudebro
™
who hunts down transformers (powerful Decepticons no less) and make them his bitch.
The
Dudebro
™
is such a Gary Stu of Costa. He is all mighty and was written and drawn as so notorious a White
Dudebro
™ that even the male readers in the actual transformers fandom, who are, ironically, mostly dudebros, hate him. Especially when the
Dudebro
™
killed a member of the fucking Devastator (you can say it’s The most famous and loved combiner in the TF fandom) with his BARE HAND and A CAN OF WINDEX.
No Transformers fans want to watch this Dudebro looking down and killing their beloved Transformers as if they are nothing. IT’S DISGUSTING.
Costa didn’t focus on the Transformers, and when he did, totally didn’t get any of the characters, because he admited in a raged interview that he didn’t get them because “they have no family (as in no genectic relative relatives) and no females”.
For example, Optimus Prime, the wise leader of the Autobots, who is more like an even
more stubborn version of Captain America, who was a MILITARY LEADER in the previous IDW story, was written as a passive,
pathetic piece of junk who surrended himself to the human just so he can
sit in a cage at the human’s mercy for 9 fucking issues while his
fellow mechs are dealing with the human and Decepticons outside.
I’m sorry but this is what Optimus did when the human abducted one of his Autobot in the first IDW TF story arc:
Optimus Prime may be kind and caring for those he cares, but he is a fucking military leader who has been fighting for 4 fucking million of years and he won’t hesitate to kick your ass if you are a threat, human or not.
At this point reader were starting to be pissed off and started to dropping the books. The official IDW forum discussion threads were started to filled with more and more negative reviews, but this is not the end of it.
Costa also wanted to write Political Epic later on, but his ignorance is so INSULTING and RACIST it’s become hilarius:
The Stunticons (another famous and powerful Decepticon Combiners) became
Kim Jong-un’s bitches lmao
The Heroic USA and their bitch Optimus Prime fight the evil forces of the North Korea in the DMZ. But after ten min of ground battle, they reached the North Korea/China boarder.
Also, he clearly didn’t know SHIT about politics in Asia (except North Korea=eViL) because he wrote People’s Republic of China (the China that’s recognized in UN) as Republic of China (Taiwan)
If you have even a little bit of knowledge you’ll know that these two “countries” has been in civil war since the WWII and even though there’s no active warfare, the PROC is actively wanting to take over ROC/Taiwan so that they can unify China. TAIWAN IS RATED AS THE 2ND LIKELY PLACE TO ERUPT WWIII because the political struggle between PROC and USA and Costa didn’t know shit about any of this.
(As a Taiwanese, it’s hilarious because our government’s biggest goal when the civil war was still hot was to defeated the PROC but lmao it’s achieved in the IDW Transformers universe)
Also, the Predacons are China’s bitches now because they are red and gold (duh)
I guess we know who’s the Good Guy and who’s the Evil Guy, huh?
After this “International Incident” arc, like half of the fans of the original fandom either dropped the book or dropped the fandom once and for all. But some people, like me, hanged on. And the official forum became more and more resentful because readers must find outlet for their frustration and man, did they criticized Costa.
Anyway, IDW give Costa 31 issues for his run. And imagine the SUFFERING we went through. But that’s not all, by the time he finished this Hell, he lashed out to the fandom in an interview:
“They don’t have all of the basic things that humans have that motivate
them and give them motivation for drama for a story. They don’t really
get hungry, they don’t get tired, they don’t have women or relationships like that [which] they value because they don’t have females that they can love; maybe brotherly love, but how — they don’t have parents? They don’t have religion or spirituality… you have to manufacture [these things] and that makes it very incoherent."
He basically called the TF fandom “a bunch or negative people staying in their closed and hostile fandom” in the interview so you can imagine how the TF fandom take it lol
PS: It’s modified by the fox scarf pattern you can find on the internet. I just changed the head pattern. Since I don’t know the english terms for knitting, hope the knitting signs in the file is enough (I think they’re international?)
The finished product looks like this:
There is a mouth that can “bite” the tail of the scarf, so Venom can wrap itself nice and steadily on your shoulder. I haven’t got my lazy ass out to buy the frabic to sew on its teeths so it looks a bit funny now.
The head is the only more complicate part. Started a double sided knitting with black and red yarns (you can find good tutorials on youtube). Switch the black yarn to white to make the eyes, the only tricky part is working three yearns at the same time and pay attention to sandwich the white yarn between the black and red ones.
After the upper head is done, seperate the two sides, continue with the black side and simply knit the body in whatever pattern you desire.
After the body is done, goes back to the red side, started another double sided knitting with new black yarn, knit a mirror shape of the upper head (just follow the pattern of the head in my file but do it in reverse steps) so that you get a lower jaw. Knit a tongue, sew on some teeths, and you got a Venom scarf!
i keep seeing posts about cs pacat being a ‘white woman writing a poc’ and
since she is australian and i am australian i thought it can be helpful to understand the way australians construct race
australia
has different race constructs to the USA. VERY different race
constructs. especially different is the way we construct the race of
people from
mediterranean and middle eastern countries
in australia italians (which cs pacat is), lebanese (which i am), greeks
(which people debate if damen is or not?), maltese, turkish (which akielon
sports are modeled on?), syrians, balkans, macedonians, egyptians and anyone
from mediterranean or middle east countries around there, we are all thought of
as being the same racial group. we are ‘wogs’. (look that word up if you dont
know that australian racial construct.)
so here we are not poc as such we are wogs which is sort of a third category
that doesnt exist in america??
when i read captive prince to me as an australian it doesnt read as a ‘white woman writing a poc’ but as a wog writing a wog. in australia, damen’s olive skin, dark hair and dark
eyes are signals of that. and everywhere that i have looked for
interviews of cs pacat talking about damen and casting or ethnicity i notice she has
never used the term poc but instead says ‘mediterranean basin descent’ and ‘not
a tanned anglo-european’ which is the australian way of thinking about race, since
wog vs anglo is a main racial divide here
i think since americans only have two categories (white/poc) they try to put
that on to captive prince and they end up sorting the author into one category
(white) and damen into the other (poc). which is true in the american system.
but as a lebanese-australian i would
sort damen, myself and pacat who is italo-australian into the same race catagory of
wog along with egyptians, turkish, maltese etc because that is the way we construct race here. thats not erasing,
lightening or whitewashing damen’s olive skin, its just our different way of
constructing his race while his olive skin colour stays the same.
i know its hard for americans to understand beccause you dont have this
category. and im not saying that damen is not a poc in your system, because in
your system he is a poc. but i hope americans will respect that other countries have
other ways of looking at race too. all race is a construct.
also these arguments about is damen greek and therefore white or is he
turkish and therefore poc are ridiculous since in australia greek, turkish,
maltese, italian, lebanese, egyptian etc we are literally all considered the
same ethnic group
tldr but i think its important to understand the
author’s race context bc the
book is different when you think about it as a wog author writing the
experience of a wog character marooned in a northern-european country
(vere =
france-ish) and feeling sense of racial difference as well as a sense of
cultural isolation, because that is the wog experience living here in
australia for turkish, greek, lebanese, maltese, italian, etc. and thats
just… different to how the book reads if you think of it in the
american way as a white woman writing a poc.
ALSO wog has a different meaning here in australia than it does
in the UK (and dont use the word if you are not a member of the group because
we use it as a friendly term, but it is a racial slur if used by others.)
Bigotry and ethnic prejudice against Mediterranean people has a long history in Australia, and while in a lot of ways it has passed, our entertainment landscape is still mostly Anglo, and just the other day, my boss made an offensive remark about Greeks.
TL;DR the entire world is not the US, and US constructions of race are not universally applicable.
Yeah when I saw people describing Damen as a POC I was like “But he’s…oh, yeah, I guess by US standards…”.
That said I think there is a difference these days between attitudes towards ethnic groups associated with Islam (Turkish, Lebanese etc) and those associated with Christianity (Italian, Greek) Islamaphobia and the old anti-all-Mediterranian-people attitudes mix in complicated ways. They also combine weirdly with antisemitism, as the darker and/or more Jewish members of my family can attest. But it’s definitely not as simple as Italian-Australian=white default (in my opinion as a white, sort-of-Anglo Australian)
Also worth noting: As a reclaimed slur, “wog” is not a term people
should throw around if they’re not 100% sure of it’s appropriateness.
EDIT: Oh! And I’m sure the OP didn’t mean to imply this, but in case people misunderstand: wog vs anglo is a main racial divide, but not theonly main racial divide. Anti blackness, for example, is most definitely a thing, though the dynamic and history are different to the US.
Those are all good points!
There’s also prejudice against Orthodox Christians, as the people who regularly mend the windows of my local Greek church would attest. But it’s quite possible that the local racists are under the impression it’s a mosque.
I recall my confusion when, not long after I moved to Australia, my wife’s best mate (a product of a large and thriving Italian-Australian family) angrily corrected me: “I’m not white, I’m *Italian!*”
I was completely flabbergasted. I shouldn’t’ve been. After all, I knew perfectly well how America gradually decides that this or that ethnic group is now officially white (or sometimes back the other way – my mother clearly remembers the puzzling period in the early ‘50s when she, then a little girl in California, watched as society mysteriously morphed her latinx friends and neighbors from “white” to “colored.”) – so long as they’re not black, that is.
I feel the need to point out that this divide was something that existed in the U.S. Italian-Americans (particularly originating from the south of Italy, where my grandfather was from) and others of Mediterranean origin faced a great deal of bigotry and were not considered white until relatively recently. Those who were also Catholic (like my family) had to face bigotry for that as well. Actually, my family still uses the “dago” or “wop” vs. anglo terminology.
It’s honestly frustrating reading these discussions as a Greek-American because I’m very much an “ethnic” white person and I’m definitely treated differently by other white people the moment they see my last name. It’s not as clear cut as US tumblr would like to say it is. Especially when it comes to Mediterraneans.
To pretend that there is such a hard line between Greeks (white) and Turks (poc) or Armenians (white) and Syrians (poc) is kind of absurd to me. Here’s the “average” face of two women, one from Turkey and the other from Greece.
Can you look at these and honestly tell me you know which is which? Is it super obvious which woman would be considered white in America? Like??? I’m not even trying to argue that Turks should be seen as white or Greeks should be seen as poc. I’m just really uncomfortable that one of these people would earn more fandom points compared to the other despite looking so similar.
We bloody are the same ethnic group lmao
The only difference is in our mixes… Turks and Egyptians have been mixed with Arabs (and Egyptians with African people from inside the Continent while Turkish have mixed with Mongolian people ) Greeks have mixed with Slavic people and European people but also with Turkish and before all that romans
Tlthe only thing thst changes is the small amounts of ppl we mixed with
Which isn’t huge
And just remember how a slave most times also meant servant. And someone who you call a slave basically was the same. As a servant in say…. Middle age Europe… Or a poor farmer in Feudal Europe….
We called ourselves slaves during our enslavement from the Turkish….
Slaves had also been prisoners of war in most of the aforementioned cultures NOT BASED ON RACE or. CULTURE
Which doesn’t make it any. Less. Disgusting but it didn’t happen because eof appearance or culture only because human rights weren’t a concept and ideas about someone being g poor or born in a low class meant they were inferior
And also both of the characters went against that system
The issues come when people start romanticiing such relationships between two people which is very harmful
In ancient Greece slaves were prisoners of war or people who were too poor to actually live by themselves
In in turkey slaves were the people they occupied and we also called the Genisar army or the concubines as slaves.
The Egyptians had a form of slavery kind resembling a more European type of slavery but still the main people who were called slaves were considered servants
It s a disgusting way to view humanity but it existed in every single ancient world and it didn’t exist in the same way in every culture. Good thing it ended.
Just psi Macedonians are Greeks… They are not a separate entity if you mean people from. FYROM pls so not use that name it is not recognised or accepted.
Also… Slavic people from the balkans belong in a different ethnic group from the rest. BUT ARE still discriminated against because of their ethnicity and being I eastern Europe
Baze&Chirrut vampire and werewolf AU set in Blade II.
Baze is a bounty hunter who occasionally takes jobs from the vampire empire. He found Snowman in the sewer (I refused to believe he died in Blade II), took him home because it’s a rare chance to get the vampire to owe him one. He didn’t know that since the vampire king was dead after the Blade II event, the vampire kingdom was in a political shit storm, and the new winning family was killing all the old royal forces. Not a good idea to send Snowman back. For some reason, the idea of leaving Snowman to his own fate just didn’t feel right to Baze, even though he’s always been a lone wolf. (insert 30,000 words novel here) and they become boyfriends *shrug* what do you expect?
Jiang Wen has
eyes that remind me of a wolf.
I headcanon Snowman’s real name is 雪男 (Yukio), it’s just his… teammates google translated his name and got “snowman”
I overestimated the amount of work I had to accomplish – for once – so I finished my efforts to translate this
one damned interview. Here’sParts 1-3(00:00 to 12:00) again.
Before I start, I figured out what it was that Jiang Wen said that
insulted the CCP! This term, 航母, kept popping up, and I was so confused because it
literally means aircraft carrier. I
thought for a long time that it was some kind of slang for a big cooperation or
even the government, like ‘big brother.’ But it turns out that it really is about aircraft carriers. Kind
of, anyway.
Context: China currently has the second/third biggest military force
(they kind of tie with Russia) in the world, and a big part of why it’s lagging
behind America hugely is because China doesn’t have enough aircraft carriers. (The
difference a single aircraft carrier makes in military might is massive,
because it is a literal moving port that’s
crewed by the upward of 5000 people. If you have an aircraft carrier, you can
wage war anywhere there is a large body of water. Which is kind of everywhere.)
When I say that China doesn’t have enough aircraft carriers, I mean that
they didn’t have any until very recently – around 2011, when they launched the Liaoning.
The CCP made lots of statements full of nationalistic fervour about how it is
better than even America’s.
Jiang Wen said, and I quote directly from news articles, “中国航母比美国多一倍啥都好聊光IP有个屁用.”
“What’s the fucking use of China having an aircraft carrier twice the
quality of America’s if we don’t have some IPs to brag about it with?”
Further context: the reason why there’s a Chinese side of the Internet
is because China doesn’t actually have much of the Internet – it has something
more like an Intranet, nationwide,
because their Internet is exceedingly restricted. (To the point that some
terms, like Tiananmen 天安门, are censored, and
there’s a new thing that literally tracks people’s activities online and give
them social points that allows for greater priorities to necessities like
education and health. (Correct me if I’m wrong about any of these points. I get my news on China from translated sources.)) Mainlanders are also very infamous for their methods of
doublespeak, especially people in positions of power and influence.
Further, further context: Jiang Wen once got into massive trouble in 2001 for his movie Devils on the Doorstep, because it was a movie set during the
Sino-Japanese wars and humanised the Japanese. When I say massive trouble, I
mean that there was talk about him being banned entirely from the industry. In
fact, I’m pretty sure that he was banned from directing and writing films for
seven years afterwards. Check the dates on the filmography of his Wikipedia
article; it matches up.
Basically, I misinterpreted: he didn’t accidentally-on-purpose insult
the CCP. He did it on purpose.
This man’s balls are fucking huge and I love him. The number of fucks he simply does not give is amazing.
Anyway. On with the rest of the interview!
Parts:
4. On his critics (and also on geniuses) 5. Limitations of the film medium (and more about
geniuses) 6. Jiang Wen is a Rude Old Man 7. Acting in the future, and his new film
Again this is so great and interesting, thank you for doing this!! He’s just….. he really takes “not giving a shit” to an entirely new level. He insulted the CCP’s aircraft carrier. It’s hilarious, everything the interviewer tries to ask him about he’s like “why would I do that! what’s the point!! waste of time” god he’s such a grumpy old man I love him. Also:
Everyone has the right to sleep. But if you’re watching something with this much action (Gone with the Bullets is playing) and you can still fall asleep, how sleep-deprived are you?
salted for extra flavour
my dad is an old-timey 60-something year old hong kong-chinese guy who’s really political and really into culture, he even worked in hong kong’s film industry for a while before he retired to be a teacher – like i could count on him to get in-depth about big-wave films back in the 70′s and 60′s; so i was talking to him today, and this interview came to mind so i mentioned it to him. and the first thing he mentioned about jiang wen is: “oh yeah, he’s a bit of a renegade.” (he meant that very positively; my dad is very anti-mainland/CCP)
we went on this tangent about jiang wen basically, and he goes on to say how jiang wen is really clever with his films, that almost every single one of them has some kind of anti-CCP message/value written in subtext. my dad talked about how his films would resonate within a lot of chinese people (and the box office numbers of the films themselves are evident of that), because however subtextual his criticisms are, they are able to “echo” the sentiments of the people. i brought up Let The Bullets Fly (it being such a critically-acclaimed film that broke so many box office records in China alone) and my dad’s reaction was instantaneous and very excited: “of course! that one is incredibly politically charged! but this man knows how to evade CCP censors; he’s unapologetic and relentless and extraordinarily clever.”
anyway i just wanted to share this – it made me think of what op said about mainlanders being quite infamous with their use of doublespeak. i brought up the aircraft-carrier-insult to my dad and he also said: “you can’t insult the CCP without being crushed or directly censored, so you learn to talk shit about them without actually directly attacking them. but even so it takes massive gumption, balls, and razor-sharp wit. and jiang wen is able to elevate his filmmaking to continuously and consistently be colouring outside the lines like that.”
(conclusion: jiang wen has massive gumption, balls, and razor-sharp wit. also he’s clearly worth waxing poetics about.)
i felt this extra worth knowing, living in hong kong where it’s a pretty politically turbulent time with anti-mainland/CCP sentiments strung up high. i mean, i read op’s post a while back (a very good post btw) and was pleasantly surprised with this extra knowledge of how absolutely no-fucks-given jiang wen is about the government, sort of confirming a hunch of mine when looking at his older movies. and hearing about him from an old-timey chinese perspective is always very interesting for me. jiang wen got called a renegade now if that ain’t the biggest deal